In this workshop, we will consider the interconnections (both analytical and aesthetic) between making and writing. I will introduce two mixed-media projects “Secondhand” and “Locomotion in Water,” both of which are simultaneously, visually, performance, and text-based. In addition to a close analysis of the words themselves, I will reflect on the interactions among the various media and ways of thinking at stake in their production. From here, emerges an expression of my own working method – an embodied, and at times chaotic, oscillation between seeing, making, and wording. I hope that this can be a starting points for a collective conversation on the subject of generative modes of mixed-media scholarly analysis within the domain of the digital humanities and beyond.
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